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・ I'm Really Hot
・ I'm Reed Fish
・ I'm Restless
・ I'm Revived
・ I'm Rick James
・ I'm Right Here
・ I'm Right Here (EP)
・ I'm Satisfied with You
・ I'm Saving My Love
・ I'm Not Alone (album)
・ I'm Not Alone (EP)
・ I'm Not Alone (song)
・ I'm Not Alright
・ I'm Not Angry!
・ I'm Not at All in Love
I'm Not Bossy, I'm the Boss
・ I'm Not Built That Way
・ I'm Not Coming Home Anymore
・ I'm Not Dead
・ I'm Not Dead Tour
・ I'm Not Dying Today (Palisades EP)
・ I'm Not F4
・ I'm Not Famous but I'm Aromanian
・ I'm Not Feeling You
・ I'm Not Fine Movement
・ I'm Not Following You
・ I'm Not Getting Enough
・ I'm Not Giving You Up
・ I'm Not Going Out Like That
・ I'm Not Gonna Let You


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I'm Not Bossy, I'm the Boss : ウィキペディア英語版
I'm Not Bossy, I'm the Boss
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''I'm Not Bossy, I'm the Boss'' is the tenth full-length album by Irish singer-songwriter Sinéad O'Connor, released on 11 August 2014 on Nettwerk Music Group. The album was originally to be called ''The Vishnu Room'' after the song of the same name, but was changed, along with its original cover design, shortly before release in support of the Ban Bossy campaign.
The album was nominated for the Irish Meteor Choice Music Prize for Best Album.
== Critical reception ==

Album release was met with positive critics' reviews from such publications as ''American Songwriter'', ''The Guardian'', ''NOW'' and ''Slant Magazine''. The Metacritic aggregate score on August 12, 2014 was 66 out of a 100.〔 Fred Thomas, writing for AllMusic, gave the album 3.5 stars out of 5, with a favorable review, opening with this comprehensive summary: "A decade of inconsistent, spotty, or simply confusing output from iconic Irish singer/songwriter Sinéad O'Connor was redeemed with 2012's refreshingly focused and honest effort ''How About I Be Me (And You Be You)?'' That album saw O'Connor effortlessly creating the same type of emotionally charged yet easily melodic fare that constituted her earliest, most popular work, and positioned her for a graceful return to form. Two years later, ''I'm Not Bossy, I'm the Boss'' follows the impassioned pop framework of its immediate predecessor, branching out into even more vivid stylistic dimensions and retaining all the energy, controversy, and fire that have come to define O'Connor as both a musician and a political figure. Taken at face value, the songs here are vibrant and multifaceted."〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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